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Posts from the ‘Love’ Category

The Treasures We Leave Behind and Always Carry with Us

When you leave your childhood home, no matter how far and wide you roam, you leave many things behind, but some you carry with you forever.

For me, Grandma-Next-Door is one of those things.

Postcards and Letters collected by Grandma Next Door

My letters and postcards that Grandma Next Door collected over the years

Grandma-Next-Door lived beside my family and me ever since I could remember. She lived in what I thought was the coziest house with the loveliest garden in the world. And ever since I could remember, she was my Grandma. And even though I already had two grandmothers, my childhood brain never stopped to do the math and my childhood heart never knew why it should.

How many days, too many to count, did I ring her bell to find her in her lounge chair, cigarette in hand and a stack of saltine crackers by her side?

“Can we go visit your garden?” I would ask. And she would always respond, “Sure,” stub out her cigarette, lift herself from the chair and tell me to fetch her shoes.

I would hold her arm as we descended the five wooden stairs to the backyard and did not let it go during the thirty some steps more to that magical place tucked under the pines.

In spring when the daffodils rose from their frost beddings, I helped Grandma-Next-Door unveil her ceramic frogs, dwarfs and Snow White. Together we would rouse them from their winter slumber in the cellar, carry them outside, clean them and place them– stepping oh so carefully amongst the plants – back into their summer dwellings.

“But I think last year, we placed Dopey over here,” I would say.

“Well, then, that’s where Dopey needs to go,” Grandma-Next-Door would respond.

In summer we went fern hunting in the Shades. And the annual outing was particularly successful if we sighted a Jack in the Pulpit. I don’t know why. I just loved those plants.

And when the trillium blanketed the woods, we’d take a trip to pick those too — a bouquet for Grandma-Next-Door and another for my mom. And as the years passed, and Grandma-Next-Door’s legs could no longer carry her to the Shades, I gathered the trillium alone. I’d return from my outing to find Grandma-Next-Door waiting for me with some freshly cooked Louisiana Put-Together, my favorite, and together we would dine on her front porch, her on the chair and I on the swing, and there we would chat until my parents returned from work and it was time to head home.

When I returned home at age 17, after being abroad for a year, Grandma-Next-Door had an American flag extended from her porch in my honor. And though my life path then led me far away from our neighborhood in PA, anytime I returned back home, as soon as my father stopped the car and before I removed the suitcase from the trunk, I always went straight over to see her.

When Grandma-Next-Door passed, I was no longer living at home. I had been gone many years and my parents called me with the news. I was surprised to learn she had a nephew. But he didn’t seem too interested in coming for her funeral. Grandma-Next-Door had her house and garden but not too much else. Or so he thought. But I found many treasures – her marriage certificate, her rosary, photos of her and her husband, and neatly tucked away in her bedroom dresser, all the photos, postcards, and letters I had sent her throughout the years.

And in her night stand drawer I found a journal. Filled with pages of poems written by a woman that I obviously never completely knew. I thought of her husband, who had passed long before I was born. I thought of her living alone so many years in her cozy house with the magical garden and I missed her.

A Poem from Grandma Next Door’s Journal:

My Dream was Real

Come, kill my love, but

let illusion live.

Do not destroy yourself as I

believed you,

For if I dreamed too deep, if I

believed you

Sum of all things the heart can

ask or give,

If I declared you constant,

though you roved,

Kind, though you hurt me,

Certain, though you faltered

Say not that I was wrong, but

that you altered.

Do not deny that image I so

loved.

While I could trust, I

mirrored each for each

A truer lie than ever truth could be

My faith made real each unreality

My heart found heights no

grounded feet could reach

Then do not judge me

blinded or deceived,

But swear my dream was real,

while I believed.

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Water for Elephants, Masterful Writing in a Modern Day Romantic Tale

“But my final thoughts are tactile: the underside of my forearm lying above the swell of her breasts. Her lips under mine, soft and full. And the one detail I can neither fathom or shake, the one that haunts me into sleep: the feel of her fingertips tracing the outline of my face.”
– Sara Gruen, Water for Elephants (page 156)

Water for Elephants: A Novel is an example of a successful novel with great writing and a plot that challenges the norms of a romantic tale.

First published to unexpected but wide acclaim in 2006, Water for Elephants spent twelve weeks on the New York Times Bestseller list and ranked first on the Barnes & Nobles Paperback Fiction Bestseller List. Popularity of the book spread beyond the US with translations of the novel into over 44 languages. In 2011, the movie Water for Elephants was released and grossed over 113 million USD in ticket sales.

But once you read the book, Ms. Gruen’s success is not so surprising.

Sara Gruen masterfully sets pace by combining scenes and times so seamlessly her words communicate both at the same time. For example, she writes, “The gravy on the meat loaf has already formed a skin.” (Gruen 8). The image does more than indicate a few minutes have passed, it shows a specific picture, that all of the readers will relate to and find disheartening. Who likes gravy with skin? We not only see the clock ticking, we see the retirement home, the thick gravy, the skin, the blandness, and the monotony. Not only is time indicated but a mood is set and the environment is described, all in one sentence.

Subtlety makes Sara Gruen’s writing poignant. While rambling about the downsides of age, the 90 something year old Jacob predictably reflects on aching limbs and muddled minds. At the end of his list, however, he states that age silently spreads cancer throughout your spouse. (Gruen 12). The personal fact is unexpected and catches the reader off guard. Sure age is a terrible thief but the riveting detail shared in the passage is how much Jacob feels cheated that his wife has been taken away from him. Up to that point, the reader isn’t aware he has a wife. In one line, we know he has a wife, she has died of cancer and he is always thinking about her. His love and her omnipresence stabs a knife through the reader’s heart more sharply than an entire paragraph singing her praises.

Gruen further heightens the intensity of her character’s pain by first painting the canvas of the world as it should be, only in the next paragraph to dash the sanctity of this world into a thousand pieces with unexpected news of what the world has become. When Jacob is fetched from a lecture by school administrators, he thinks, “If I get expelled now, my father will kill me. No question about it. Never mind what it will do to my mother. Okay, so maybe I drank a little whiskey, but it’s not like I had anything to do with the fiasco in the cattle—.” In Jacob’s world, this is the worst that can happen and he does not suspect that something far worse lurks ahead.

A few pages later, Jacob draws these two worlds together in two lines, “This morning, I had parents. This morning, they ate breakfast.” A tragic death and departure each cause the characters great pain. This pain can be amplified by accentuating their innocent unexpectedness of events about to occur.

Last but not least, Gruen creates characters who are realistic because they are contradictory. She gets away with this by openly acknowledging the inconsistency:

It’s hard to reconcile this August with the other one, and to be honest, I don’t try very hard. I’ve seen flashes of this August before – this brightness, this conviviality, this generosity of spirit – but I know what he’s capable of, and I won’t forget it. The others can believe what they like, but I don’t believe for a second that this is the real August and the other an aberration. And yet I can see how they might be fooled. (Gruen 229).

Along these lines, Water for Elephants may represent the advent of the modern-day romantic tale. In this new version, the heroine finds herself caught up in a love triangle and discovers true love in the other man. And as if that isn’t change enough, the other man enters the scene not subsequent to her marriage but rather during it.

Water for Elephants combines historical facts with fiction as the backdrop to a tale of romance. Regis’ basic definition of a romance novel is, “…prose fiction that tells the story of courtship and betrothal of one of more heroines” (Regis 14). The novel even fulfills Regis’ eight narrative elements of romance novels. Of course, the lack of a happy-end along the lines of ‘boy-and-girl marry, and live happily ever after, ’ will no doubt prompt many rule-abiding romance readers to picket in protest. But personally, I enjoy the English Patients, Bridges Over Madison Counties and Out of Africas that tell tales of romance that are anything but simple. Life is not simple. And how many times can Nicholas Sparks be considered a writer of “love” stories rather than romances before someone takes a serious look at how have “agreed” to define the romance genre? But I am getting ahead of myself.

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Works Cited
Genre, Writing. “The WD Interview: Sara Gruen | WritersDigest.com.” Write Better, Get Published, Be Creative | WritersDigest.com. Web. 7 Nov. 2011. <http://www.writersdigest.com/writing-articles/by-writing-genre/literary-fiction-by-writing-genre/sara-gruen>.

Gruen, Sara.Water for Elephants: A Novel. Chapel Hill, NC: Algonquin of Chapel Hill, 2006. Print.

Regis, Pamela. A Natural History of the Romance Novel
. Philadelphia: University of Pennsylvania, 2003. Print.

Rich, Motoko. “Water for Elephants – Sara Gruen – Books – New York Times.” The New York Times – Breaking News, World News & Multimedia. 5 Nov. 2011. Web. 5 Nov. 2011. <http://www.nytimes.com/2007/07/11/books/11elep.html>.

“Sara Gruen.” Wikipedia, the Free Encyclopedia. Web. 5 Nov. 2011. <http://en.wikipedia.org/wiki/Sara_Gruen>.

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What She Carried: The Second Book I Never Leave Behind

The Emotion Thesaurus: A Writer’s Guide To Character Expressionby Becca Puglisi, and Angela Ackerman

When I get into the rewriting stage, I have two books fending off coffee mugs, empty printer cartridges and Milka Haselnut chocolate wrappers for some desktop space. The first is a long-time companion– a hard-cover Roget’s International Thesaurus, 4th edition from 1977 donning a dashing orange cover offset by black binding and gold lettering. I have lugged my 1316-page faithful friend with me since childhood, coffee stains and complicated tab coding and all. What Roget lacks in slimness, he makes up for in his inexhaustible fastidiousness fondness for just the right word. About a year ago, much to Roget’s chagrin, a newcomer joined our cozy little twosome – The Emotion Thesaurus, by Angela Ackerman and Becca Puglisi.

When I first introduced Emotion to Roget, I could almost hear the old man’s snickers at the 161-page black and blue paperback newby, “You call yourself a thesaurus?” But Emotion could hold her own with 75 different root emotions beginning with “Adoration” and ending with “Worry.” Perhaps Roget’s smugness, was simply an expression of his anxiety.

But amongst shelves upon shelves of “how to” books, what makes this one distinctive? The Emotion Thesaurus not only aids my efforts to show a particular character emotion, the index of emotions helps me pinpoint what my characters are experiencing in the first place. Once I know the emotion, Ackerman and Puglisi equip me with a complete arsenal of emotional behaviors to set loose on my characters. With this book, I can make my spurned lovers tug their ears (anguish), my teenage space explorers repeat the same things over and over (amazement) and my murder suspects scout for exits when entering a room (paranoia). Because even the best writers sometimes need guidance to help overcome old habits like the trusty nod, the knowing smile and the terrified shriek.

The Emotion Thesaurus breaks down each emotion into three elements: physical signals (body language and actions), internal sensations (visceral reactions) and mental responses (thoughts). The authors also include three additional categories: Cues of Acute Long-Term [enter emotion here], May Escalate to (other emotions listed), and Cues of Suppressed [enter emotion here]. As an added bonus, every emotion section ends with a Writer’s Tip such as the benefit of describing a character’s appearance by having the character interact with his or her environment.

Just as fictional characters should interact with their settings, fictional works should interact with their readers. A feat accomplished through emotion. In his book entitled, Writing for Emotional Impact: Advanced Dramatic Techniques to Attract, Engage, and Fascinate the Reader from Beginning to End
, Karl Iglesias tells writers that their mantra should be, “I’m in the emotion-delivery business, and my job is to evoke emotions in a reader.” Sol Stein in On Writing states, “Manipulating the readers’ emotions is exactly what the author should do…” In Immediate Fiction: A Complete Writing Course
Jerry Cleaver writes, “The emotions we’re feeling are the emotions of the characters. What they feel, we feel. The better the story, the more we lose ourselves in the characters, the more we become them. If they’re excited, we’re excited. If they’re sad, we’re sad.” For Ansen Dibell, emotion must cause a reaction. “Thought or emotion crosses the line into plot when it becomes action and causes reactions.” And of the three things that Orson Scott Card states a writer owes a reader in Elements of Fiction Writing – Characters & Viewpoint: Proven advice and timeless techniques for creating compelling characters by an award-winning author, “Emotional Involvement” is number two.

The Emotion Thesaurus is the result of collaborative effort by Becca Puglisi, a YA fantasy and historical fiction writer, and Angela Ackerman, a Middle Grade and Young Adult fiction. Together the two of authors host the website, “The Bookshelf Muse,” an award-winning online resource to help writers in their writing efforts. With their book, The Emotion Thesaurus, they have also presented writers with an indispensable resource — and one that Roget and I will always be sure to include, even if it means foregoing the Milka.

Still not sure how I feel about this book? Just see me stroking its cover, doodling its name with hearts and confiding all my secrets and desires into its pages (love).



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