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Posts from the ‘Art’ Category

Would Klimt have been a Graffiti Artist? Vienna’s Donaukanal

To every time, its art, to every art, its freedom.
(Der Zeit ihre Kunst, der Kunst ihre Freiheit)
– Motto of the Vienna Seccessionist artists, beginning of 20th Century

 Young, controversial, revolutionary and fired up to smash the bonds of society’s conventions. Art should be freely accessible to all social and economic classes. The more shocking, the better.

Over 100 years ago, Gustav Klimt and the Vienna Secessionists fought for freedom of self-expression. Gustav Klimt went from creating classical paintings like Shakespeare’s Globe Theater on ceiling murals of Vienna’s Burgtheater to hair-raising depictions of sparsely-clothed, sexually-aroused figures like Judith in the throes of her climatic ecstasy clutching the disambiguated head of Nebuchadnezzar’s general, Holofernes, against her exposed breast in Judith.

Vienna has a long history of attracting groundbreaking artists and controversial bohemians. While the conservative Viennese can initially act reluctant to embrace new things, they are likewise rather good at not taking their ambivalence too seriously.  At the turn of the century, the Austrian government supported the talented and rebellious Klimt and his Secessionists friends with a lease of public land  to erect an exhibition hall for their work. The building, which the Viennese sometimes refer to as the “Golden Cabbage” remains today as a museum for modern art at the end of the Wollzeile – the Secession.

Perhaps for this reason it’s not so surprising that the Austrian government has made a similar gesture to the young, controversial, revolutionary artists of our generation – the graffiti artists, by granting them Vienna’s blessing to spray certain public areas.

Where?

wienerwand

wienerwand

Look for a sign with a pigeon and the words “Wienerwand” (Vienna Wall). If you’re like me and can’t find the sign, here’s some help — Vienna allows graffiti at the Nordbrücke, Nußdorfer and Roßauer Lände, am Yppenplatz and in Eßling AND, in my neck of woods — the Donaukanal.

So let’s grab an ice-cream at Schwedenplatz, take a nice cool stroll along the canal and admire the artwork of this generation’s radical philosopher-artists.

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Where? Donaukanal at the Schottenring (U2/U4 – exit Herminengasse) Station.

List of spray okay areas in Vienna: http://www.wienerwand.at/

More Reading:

Austrian daily paper – der Standard, article from March 18, 2014, from Michael Hierner, “Wo Graffiti-Sprayen erlaubt ist” (Where Graffiti Spraying is Allowed) http://derstandard.at/1395056926054/Total-legal-Wo-Graffiti-Sprayen-tatsaechlich-erlaubt-ist?_slide=1

Fotos of Vienna’s Graffiti: http://spraycity.at/?p=gallery&b=wien&c=hall&t=donaukanal&a=14

List of Places in Austria where Graffiti is legal: http://www.oesterreich-info.at/themen/graffiti.htm

“Stadt als Leinwand” – article from Sabine Karrer, July 18, 2013, Wiener Zeitung: http://www.wienerzeitung.at/nachrichten/wien/stadtleben/561855_Stadt-als-Leinwand.html

Mein Bezirk (my district) – links to graffiti art: http://www.meinbezirk.at/themen/donaukanal+graffiti.html

Graffiti of Donaukanal from 2008 (Photos from Philipp Balga) http://pippone.carbonmade.com/projects/2170017#1

Austrian artist, Ernst Fuchs, also a revolutionary

Artsy.net: Gustav Klimt page

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Napoleon, Jesus and the Free Masons: The Last Supper in Vienna

…it should not be hard for you to stop sometimes and look into the stains of walls, or ashes of a fire, or clouds, or mud or like places, in which, if you consider them well, you may find really marvellous ideas.
Leonardo daVinci Quoted in Irma  A Richter (ed) Selections from the Notebooks of Leonardo da Vinci (1977)

I’ve been dying to share a little secret with you. It’s time. And you deserve it. (Shh! Even if you don’t, pretend you do, I’m bursting to let you in on this). In fact, let me surprise you and let’s make it a day. First we’ll go for lunch at Café Central and as we are walking over to Freud’s old hang out for a großer Brauner and an Apfelstrudel (Café Landtmann), I’ll share with you one of Vienna’s very best wonderfully amazing secrets. As we walk up the Leopold Figl Gasse from Café Central, you’ll happen to remark on how hot the city can get in summer and on cue, I’ll pull you into the cool Italian National Church of Mary of the Snows. Then you’ll close your eyes while I guide you to your surprise. No peeking until I put the 50 cent piece into the box on the marble column by the pews to activate the spotlights. Okay. Now! A life-sized 1816 replica of Leonardo Da Vinci’s 1495 painting, Last Supper!

Minoriten Church, aka Italian National Church of Mary of the Snows , Vienna Austria

Minoriten Church, aka Italian National Church of Mary of the Snows , Vienna, Austria

I know what you’re thinking. ‘We’re in Europe. Let’s hop the train to Milan and see the real thing. Why the copy?’

Why?

Top five reasons:
1) No entrance fee or need to reserve a spot on a tour weeks in advance. And let’s face it, you probably don’t have endless vacation days and enjoy the Austrian legally required 5 weeks a year vacation (yes, we do, we really all do get (at least) 5 weeks (!) here)

In Giacomo Rafaelli's mosaic copy of Da Vinci's Last Supper, completed for Napoleon, the feet of the disciples are visible

In Giacomo Raffaelli’s mosaic copy of Da Vinci’s Last Supper, completed for Napoleon, the feet of the disciples are visible and one can ask — is that Mary Magdalene at his side?

2) This copy is far better preserved than the original, which is a mural that was painted on dry wall rather than wet plaster and since 1517 (only 30 years after it was made) already started to show signs of wear and tear. The Milan painting is cracking and has had the bottom cut off with its fragile paint fading from light exposure and elements. Groups of 25 have to pass through a climate controlled room before entering and only get to look for 15 minutes max.
3) But here in Minoriten Church, we’re alone and you have plenty of time to look closely and admire a piece of artwork made up of 10,000 (!) hand-painted mosaic tiles (and you thought your flower pot project was demanding). Imagine such a puzzle!
4) You are looking at a piece of art that is testament to the thrilling tales of history, love, war, intrigue and unsolved mysteries
5) And the best reason? We’ll probably be completely alone in the cool quiet expanse of the French Gothic cathedral while we take in the wonderment. And when is the last time you can claim you actually stood in awe and wonder of something, dumbfounded and thrilled, inspired by art?

The Last Supper / Communion / The Covenant / The Betrayal / The Crucifixion

Side Entrance at end of hall into Minoriten Church

Side Entrance at end of hall into Minoriten Church

According to the Bible passage, Matthew 26:17-30, Jesus and his disciples ate Passover together. During the dinner, he sat at a table with all 12 disciples. And while they ate, he told them that one of them would betray him and it would be the one who dipped his hand into the bowl

Rafaelli's mosaic copy of Da Vinci's Last Supper in Vienna's Minoriten Church

Raffaelli’s mosaic copy of Da Vinci’s Last Supper in Vienna’s Minoriten Church

with him. (Click on the picture above left to the left to enlarge it. You see Judas and Jesus reaching for the same bowl and Judas clenching a bag of money – indicating that he will betray Jesus. You see the disciples reacting to the betrayal of Jesus – which was a ground-breaking portrayal at the time). Jesus took the bread, gave thanks for it, broke it and said to his disciples, “Take and eat, this is my body.” And then he took a cup, gave thanks and gave it to his disciples and said, “Drink, all of you. This is my blood and the covenant which is poured out for many for the forgiveness of sins.” He said he would not drink it again until he shared the drink with the disciples in his Father’s kingdom.

From there Jesus went to the Mount of Olives and shortly thereafter he was crucified.

The Original Portrait and Leonardo Da Vinci

I highly recommend the Khan Academy material and this short video will tell you everything you need to know (to be sufficiently impressive to those who know nothing) about Da Vinci’s Last Supper: Khan Academy, The Last Supper

Interesting blog post by Lisa Shea about the original painting

Interior of the Italian National Church of Mary of Snows, aka Minoriten Church, Vienna, Austria

Interior of the Italian National Church of Mary of Snows, aka Minoriten Church, Vienna, Austria

Dan Brown and the Intrigue Behind the Portrait

See the passage “The Secret of the Holy Grail” in this Dan Brown Da Vinci Code Wikipedia entry.

Napoleon and This Last Supper

In 1805 Napoleon ordered the original to be transferred to Paris. Fortunately, it couldn’t be removed so he ordered a copy. Giacomo Raffaelli began working on the masterpiece in 1806 and completed it eight years later. By then, however, Napoleon was in exile in Elba. So his son-in-law, Kaiser Franz I, wanted to put it in Schloss Belvedere but the mosaic didn’t fit there so it ended up here.

And now that you’ve had your surprise, it’s time for some Apfelstrudel at Landtmann (or maybe a wine in the Augustiner Keller?) — or both? — the day is young and there are so many things left to explore!

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Raefaelli's mosaic copy of Da Vinci's Last Supper in Vienna's Minoriten Church

Raffaelli’s mosaic copy of Da Vinci’s Last Supper in Vienna’s Minoriten Church

More Interesting Links:

Da Vinci’s Last Supper: New Conspiracy Theory”, The Telegraph newspaper, 30 June 2007

Clip from Movie on Wiki Clip: http://danbrown.wikia.com/wiki/File:The_Da_Vinci_Code_(2006)_-_Clip_The_Last_Supper

Downloadable Image of Giacomo Raffaelli’s Last Supper from Wiki Commons

Wikipedia on Last Supper

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Before War Photographers – Vermeyen Battle Cartoons in Vienna Museum of Art History

A GRUESOME DEPICTION OF WAR AND A TOUCHING AUDIO TOUR OF THE POWER OF ART IN HISTORY Print This Post

War is first the hope that things will get better and the expectation that for the others, it will get worse, then the gratification that it is also not getting better for the others and then afterwards, the surprise that both are worse off.” – Karl Kraus

Writers are told again and again “show don’t tell” and that’s exactly what artists throughout the ages have been doing and what photographers still do. But sometimes images can be so intensely disturbing, that we long for someone, a voice of reason, to accompany us on our journey into the disturbing, chaotic world depicted.

That’s exactly why I highly recommend the 1543 tapestry cartoons currently on exhibition in the Museum of Art History in Vienna but you must also get the audio tour along with it.

Vermeyen's graphic depiction of a beheaded corpse and bloodied sword.

Vermeyen’s graphic depiction of a beheaded corpse and bloodied sword.

In 1535 court painter, Flemish artist Jan Cornelisz Vermeyen, was thrust into battle as part of Emperor Charles V’s campaign to reconquer the Kingdom of Tunis from the Ottomans. Eleven years later Vermeyen completed his larger-than-life 10 tiled tapestry cartoons (pronounced in the French manner with a nasal silence at the end, not like Bugs Bunny’s cartoon). These can (and should) be viewed today, 473 years later (!) (until March 2015) on the top floor (2) of the Vienna Museum of Art History (Kunsthistorisches Museum).

Confession – I bet you and I are a lot alike. We prefer to mosey through museums, from one room to the next, with a strained but contemplative look in our eyes, without the distracting drones of some snobby British gentleman explaining light shades, painting techniques and historical periods. Yaaawn. Right? Exactly. Which is why, when you beeline straight past the audio guides, thankful not to have to stand in yet another queue, I am right there behind you. And together the two of us can navigate our way around the audio victims while touring the museum in our very cultured contemplative silence (indeed!). But no more. I am now a recovering audio-guides

Vermeyen's graphic depiction of soldiers collecting heads of the enemy in battle.

Vermeyen shows soldiers collecting heads of the enemy in battle.

objector and you should be too.

Here’s the thing. I am the proud owner of a Vienna Museum Annual Pass, which I purchased in an elated frenzy one afternoon convinced I would be spending every other day touring the museums in lunch breaks, weekend outings, what have you. Well, I’m not. But you still can’t beat 7 museums all year for a mere 34 € AND audio guides for a mere 2 €. So I tried out the audio guide one afternoon (peer pressured). And I was not disappointed. In fact, I immediately started scribbling Ramsay’s profound observations into my pink moleskin just so I could share them with you.

Go to this exhibit and get the audio tour with it. I went through once without listening, observed the pictures and thought, ‘Mmm…Tja, interesting.’ But then Benny Nemerofsky Ramsay’s spirit whispered into my ear, “Look Pittsburgh girl, turn on the headphones. There’s tons here you’re not seeing. Open your ears and I’ll open yours eyes.”

What a man. With questions like, “What can a historical painting tell us about the world nearly 500 years after it’s been painted?” and

Description of "Mille Regretz" audio tour of Flemish artist, Jan Cornelisz Vermeyen's Tapestry Cartoons

Description of Benny Nemerofsky Ramsay’s “Mille Regretz” audio tour of Flemish artist, Jan Cornelisz Vermeyen’s Tapestry Cartoons of “Emperor Charles V Conquers Tunis” from 1543.

“Is it possible to truly know a work of art without knowing the historical factors that influenced its creation?” (like a big ol emperor ordering you to do so). And other statements like, “While these cartoons sought to immortalize a moment in time for all eternity, the cultural and political context in which they were created is not eternal.” He’s telling us the obvious but wow! Is all art always temporary? How’s that for a bite to chew while tanking up a little culture for an hour on a Saturday afternoon?

Vermeyen’s paintings show every possible act of a people at war – from the most horrific to the most banal activities, all the more riveting for their starkly contrasting realities. Ramsay’s audio tour will help you put the larger-than-life depictions into perspective.

Want to impress a date? Go do the tour with the audio guide. Then just so happen to stop by the museum with your date, impress upon Date the uselessness of audio guides, and then take Date to the Vermeyen tapestry cartoons and spew forth all the profound, contemplative thoughts you heard. Show you’re a sensitive guy (or girl) who noticed the details of the paintings. I guarantee you, Date will be impressed. Very impressed. And if Date’s not? Red flag.

Artist Vermeyen paints himself into the tapestry cartoon.

Jan Cornelisz Vermeyen — court painter of Emperor Charles V and artist of the tapestry cartoons painted himself in to piece — pictured here sketching in his book in the middle of the battleground.

But Ramsay does fail to pose one question that I kept asking myself. What if these were from today? Ten larger than life tiles with photos of a war photographer on the front line?

You can see in the images I have included here — one of the artist, who discreetly placed himself in the middle of painting. I challenge you to find him without the audio guide. It took me a good five minutes with the audio guide. But there he is. Sketching away. The battle rages on. And I have to think of all those war photographers out there who aren’t sitting so contently in the midst of their motifs. And I have to admire what they do. And wonder if a photographer did do such an exhibition, what would we think of it today? And if someone 500 years from now would perhaps view it, would they wonder about humankind the same kind of things Vermeyen contemplated while painting, the tapestry makers thought while weaving and I thought lost for an hour in the Vienna National Museum of Art this past Saturday afternoon?

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Vienna Museum of Art History about Tapestry Cartoons

Audio guide info:
Get your audio guide at the audio guide desk at the entrance (Be  sure to get the audio guide!):
Per Person: € 4,-
Take 2: € 7,-
Family (2 ad. + 3 child.): € 8,-
Group (10 pers or more): € 3,-
Annual ticket holders: € 2,-

Original Karl Kraus quote: “Krieg ist zuerst die Hoffnung, daß es einem besser gehen wird, hierauf die Erwartung, daß es dem anderen schlechter gehen wird, dann die Genugtuung, daß es dem anderen auch nicht besser geht, und hernach die Überraschung, daß es beiden schlechter geht.“

Website of Canadian Artist and Diarist Benny Ramsay Nemerofsky.

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Vienna Side Trips – Wachau: Boat, Bike, Wine

Print This Post One of the most beloved and beautiful outings:  A boat trip along the Danube combined with a bike trip through the Wachau vineyards in Grüner Vetliner country –  Krems / Stein / Dürnstein

A place that has inspired Viennese artists, satisfied wine connoisseurs (Grüner Veltliner land) and a legend of royal loyalty.

The region here along the Danube in Lower Austria is known as the Wachau (if you are hail from NC, you’ll be familiar with Wachovia, settled by Wachau immigrants). What Naples is to California, so is Wachau to Austria — for lovers of romance, white wine and quaint villages.  The mild climate and Danube valley location combine to make the Wachau the perfect place to cultivate white wine and that’s exactly what people have been doing here since the time of the Celtics (over 2000 years ago). Due to the hills, vineyards were planted in the form of terraces which you can see particularly well from the boat tour. The walls of these terraces were built without mortar, simply stone-on-stone.

Total time of outing: a day (no overnight) from Vienna

The direct train from Vienna to Krems takes an hour. Then you hop on a boat heading down the Danube to the town of Dürnstein, walk a half hour to the castle ruins (read castle tale below), bike through vineyards and along the banks of the Danube back to Krems. Along the way, have a meal (and some Grüner Veltliner) somewhere in the vineyards between Dürnstein and Krems. After arriving back in Krems, take a leisurely stroll through the old town, perhaps enjoy a mega decadent ice cream and then catch the train back to Vienna.

Danube Boat Tour from Krems to Dürnstein

Danube Boat Tour from Krems to Dürnstein

Before you go you should:
A) decide how you will get your bike. You can either rent bikes in Krems and take them on the boat with you (not a problem but you a pay a little fee for this. The advantage is that you are good to go as soon as you are off the boat and return is simple) or you sign up for next bike (also good for Neusiedler outing) to reserve bikes from a bike rake at the port in Dürnstein and return the bike to the bike rake at the port in Krems (there is no one present to help you get the bikes and return them and you reserve them online). Read further for more info on both options.
B) Decide if you will take a taxi or walk 30 minutes from the train station in Krems to the boat dock. If you take the taxi, then have your hotel perhaps call a taxi company in Krems (numbers below) and have a taxi waiting for your train.

Map from Friedensbrücke Subway Station to Franz Josefs Train Station

Map from Friedensbrücke Subway Station to Franz Josefs Train Station

Getting there: Direct train from Vienna to Krems/Donau (!). There is a Krems, Steiermark and you DO NOT want to go there for this trip. So be sure to specify Krems/Donau. The best (most direct) is the regional express train (REX) from Vienna’s Franz Josef Bahnhof.

Map from Krems Train Station to Dock where boats leave to Dürnstein

Map from Krems Train Station to Dock where boats leave to Dürnstein

Franz-Josef Bahnhof is easily accessible with the subway (U-4, Station is Friedensbrücke) – it’s about a 5 minute walk from the subway to the train station. There is at least one train every hour (more often on weekdays). The train that leaves 51 minutes after the hour, is direct and arrives about 5 minutes before the next full hour (approx. 1:03 hrs later) in Krems. So if you are spending the day, catch either the 7:51 or the 8:51 am train. At the moment (April 2014), this train leaves from platform 4 and goes directly to Krems (arrival at 8:55 am or 9:54 am). Austrians would take the later train but since you aren’t sure where you are going and still might need to pick up your bike rental and buy boat tickets, maybe opt for the earlier option. The Krems Boat Dock has a lovely little gift shop and a café where you can have a cappuccino along the Danube while waiting to board your boat.

Bike Rental Options:

Map of Bike Rentals in Krems and Stein

Map of Bike Rentals in Krems and Stein

If you choose to rent your bike and take it with you on the boat, you might want to consider this bike rental place located near the dock. Have your hotel call ahead and reserve your bikes for the day you need them (or you call or send an email).

Firma Walter Völkl, Räder-Roller-Zubehör, Steiner Landstraße 103 (Eingang Donaulände),

Tel. +43(0)2732/710 71 http://www.rundumsrad.at/

Or go the do-it-yourself option:

 Next Bike: First register yourself as a user by calling. Then once you reach a bike stand, you call number again, give them the bike number you want and you’ll get a code. You can even reserve bikes if you want to be sure there are ones available when you arrive. https://www.nextbike.at/ausleihen.html?&L=en Just make sure when you return the bikes to the bike stands at the end of your ride that the bikes lock into place or the clock will keep ticking and you will be charged more. (I admit, I did this once!).

Getting from train station to dock: Once you arrive in Krems: You can either walk from Krems train station to the Krems Dock or take a taxi. The distance is about 3-4 km. The walk will be about 20 – 30 minutes but you have no luggage and are fit, so consider this option. I’ve done it. So can you. But it is not a scenic walk since it follows a sidewalk alongside the road. Alternatively, you can have your hotel call Krems and arrange for a taxi to meet your train. Some Krems taxi numbers: 02723/72121; 02732/1718; 02732/85883. I have never done this but it should work.

Map of Dürnstein to Krems

Map of Dürnstein to Krems

Boat Tickets: At the dock, buy your ticket to Dürnstein. One way is about 16 € a person. If you have students in your group, ask about discounts. Boats leave daily at 10:15 am, 1:15 pm and 3:45 pm from Pier No 25 (the port is so small, they will direct you when you buy your tickets where to go). The boat cruise to Dürnstein takes exactly 35 minutes. Get a seat on the upper deck and buy yourself a cool drink – a beer or perhaps the Austrian version of 7-Up/Mountain Dew — Almdudler – a drink so irresistible with the dirndlerd lady and lederhosened guy on the bottle.

Danube Cruise in the Wachau

Video of boat and Dürnstein (it’s the blue church on Video): http://www.krems-wachau.at/mag/sehenswertes/erlebnisse/schiff-donau/

Dürnstein:

Danube Boat Tour from Krems to Dürnstein

Danube Boat Tour from Krems to Dürnstein

Quaintness all bundled up in one little village — at the foot of the Dürnstein castle. If the town of Dürnstein wasn’t situated here in the Danube river valley, it’d be under someone’s Christmas tree. The main road through town is a cobble-stoned pedestrian zone which will require you to walk your bikes. If you are looking for some souvenirs, here’s a great place. The region is known for its apricots and you can get some high quality apricot Schnaps here that will warm you from the inside out. Visit the “Stiftskirche Maria Himmelfahrt” / Church of Marie Accession (the church with the blue towers) built from 1721 – 1724. The blue color of the towers was rediscovered during restoration work in the 1980s and then adopted once again. Read more about Maria Ascension Church in German. Don’t know German? Admire the pretty pictures.

Dürnstein Castle Ruins: Yes. You gotta do this. Walk your bike through the town of Dürnstein and park it somewhere safe (past the cemetery a bit up the trail leading to the castle) so you can walk up to the castle. This isn’t the Bronx, the lock on the bike should suffice. Just don’t block the path; there are bound to be more hikers. Then embark on a short but steep walk. Trust me. It looks far more intimidating than it actually is and is definitely worth the sweat and strain. I’ve schlepped many a visitor up here, and every single one freaks out after about 5 minutes because it’s “so freakin’ steep.”  But think of your tightening derriere muscles and once we’re sitting on top of the castle ruins, you’ll thank me. You will exhale, and exclaim, “Wunderschön!” (Austrians at this point will usually pack out a bar of Milka, an Extrawurstsemmel and a can of Gösser or bottle of Römerquelle as a reward for a walk well done — so you might want to do as the natives too). And once you catch your breath, you’ll be taking the photos because it really does look oh so high and adventurous (who needs to know it only took a half hour?). You’ll get a great view of the Danube from up here and realize why the castle is so well-positioned (exactly at the curve of the river) and you also might spot some climbers on the rocks across the way — a favored climbing spot.

View of Dürnstein and Danube River Valley from Dürnstein Castle Ruins

View of Dürnstein and Danube River Valley from Dürnstein Castle Ruins

The Dürnstein Legend of the Kidnapped King, his Loyal Subject and the Power of Music (or be nice to people or they’ll get you)

No one will tell me the cause of my sorrow
Why they have made me a prisoner here.
Wherefore with dolour I now make my moan;
Friends had I many but help have I none.
Shameful it is that they leave me to ransom,
To languish here two winters long.
(Composed by Richard the Lionheart during his capitvity)

In 1192 (yes, 822 years ago(!)), Richard the Lionheart (Richard Coeur de Lion) was making his way back to England from his failed Crusades. Now you know how it goes, sneaking on your way home from a long journey to fight evil and ungodliness and the only route is through a neighbor’s yard who hates you. You could go the long way around and avoid said neighbor or take a short cut.

You see, Richard knew he had made a lot of enemies over the years. The French King Philippe Auguste was out to get him. And there was always the pirates to consider. So this nixed the idea of returning to the motherland by sea. But on land were the pesky robbers either out to mug or kidnap him. So he disguised himself as a lowly beggar to avoid capture (or maybe the paparazzi).

But life obviously isn’t always greener on the royal side of the fence.

Dumb, that the land route lead him through Austria – home of Duke Leopold – the guy Richard had insulted during the siege of Acre by tearing down his flag and telling him to scram. Leopold had a hissy fit and left but lived by the rule that revenge is best served cold.  So when Leopold’s troops in Austria discovered and captured Richard, Leopold surely did his happy dance.

But what to do? What to do?

There was always the Holy Roman Emperor to consider. The big guy always wanted to have his say in international spats on his territory. But the Emperor was no Richard facebook fan either because Richard once refused to recognize the Emperor’s authority by declaring, “I am born of a rank which recognizes no superior but God.”

Richard sure knew how to rub folks the wrong way.

But even if Henry IV despised Richard, there was of course all of England to consider, which kinda liked their guy. So Henry IV wasn’t sure what to do with their prisoner either. Do we ransom him to the French? To the British? Just kill the pest and be done with it? I know! Let’s pull a Scarlett O’Hara, and think about that tomorrow. Meanwhile we’ll lock him up in that castle in Dürnstein.

The English knew Richard had been captured but who knew where? Spies were sent but 007 didn’t exist yet so they failed, of course.

In walks Blondel de Nesle.

Blondel knew Richard from their escapades together in the Holy Land. Maybe he was a loyal follower of Richard I. Perhaps a faithful believer. The man could have also been simply crazy, stubborn, lost, bored or longing to have his musical talents discovered by royalty. In any case, Blondel trudged around to all the great castles in Europe playing his flute (“Will you tell that flute guy out there to stuff his pipe! We’re trying to eat our drum sticks and count our gold in peace in here!”).

Until finally…

He reached Dürnstein, played his flute and lo and behold, Richard popped his head out the window and started singing along! (OK, maybe not exactly like that). Well, according to legend, Blondel wasted no time getting his king out that very night. According to historical records, a lot of talking heads got together, had coffee and donuts, wine and drum sticks, and when topics for small talk dwindled, the English were able to secure Lionheart’s release.

Leaving Dürnstein, Biking through vineyards up Danube to Krems

Leaving Dürnstein, Biking through vineyards up Danube to Krems

Biking from Dürnstein to Krems: distance: 8 km (if you start in Spitz it is 19 km from Spitz to Krems (about a leisurely 2 hours bike tour)) http://www.planetoutdoor.de/de/touren/detail.htm?tour=52522&region=123

Exit Dürnstein town and bike through the vineyards of the Danube valley. Be sure to stop at one of the restaurants in the vineyards for some wine and lunch or lunch and wine, whichever you prefer and your biking skills can handle.  If you see a vine hanging over a door, it means they are serving this year’s wine and probably food as well. A menu placed outside is another good indicator. Be adventurous and definitely aim for a place in the middle of the vineyards.

Once you have sufficiently eaten and quenched your thirst, continue your tour.

Grüner Veltlener Grapes in Vineyards in Danube River Valley, Dürnstein

Grüner Veltlener Grapes in Vineyards in Danube River Valley, Dürnstein

Bike onward to Unterloiben and get a great view of the Göttweig Monastery across the water up on the hill. Then you reach the town of Stein which inspired some of Egon Schiele’s most beautiful paintings. Here you can go through the Linzer Gate to the cobblestone lane of Steiner Landstrasse, straight ahead. Onward to Schillerstrasse, then veer left to the Wichner Strasse to Südtiroler Platz (square) and the Steiner Gate. On the other side of the Steiner gate, the pedestrian zone for the Old Town of Krems begins. You might want to return your bikes to the dock, though, before doing a walk through town.

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Ice Cream Reward in Krems

Ice Cream Reward in Krems

City walking tours in English of Stein and Krems: http://www.krems.gv.at/system/web/zusatzseite.aspx?menuonr=220289711&detailonr=220269569

Back to Vienna:

Direct trains from Krems back to Vienna are usually hourly and generally leave about 2 minutes after the hour and take 1:02 hours.

Back in Vienna, sit back, prop your feet up, admire your cell phone photos, pour yourself a glass of Veltliner and drop me a line about your adventure.

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